Bojana Cvejić, born in Belgrade and based in Brussels since 2001, is a dramaturge and writer whose research spans performance theory, critical theory, philosophy, and dance studies. She is the author of the monograph Choreographing Problems: Expressive Concepts in European Contemporary Dance and Performance (Palgrave Macmillan, 2015; Maska, 2021 Slovene translation) and the co-author and co-editor of ten books, among them A Choreographer’s Score (with A.T. De Keersmaeker); Parallel Slalom: A Lexicon in Non-Aligned Poetics (co-edited with Goran Sergej Pristaš); Public Sphere by Performance and Toward a Transindividual Self: A Study in Social Dramaturgy (2022; co-written with Ana Vujanović). She has published extensively in various journals and magazines and edited volumes of essays and books on art in English, French, Dutch, Slovene, and other languages. Cvejić is a Professor of Dance Theory at the Oslo National Academy of the Arts and a visiting professor at the Centre for Dance Research at Coventry University. She has been affiliated with P.A.R.T.S. (Brussels) since 2002, where she teaches performance & dance theory and oversees the theory program. Since 1996, Bojana has made, performed, or collaborated on numerous works in the field of European music theatre, dance, and theatre as a co-director, dramaturge, and performer. She has co-authored several videos and video installations exploring dance and choreography, such as …in a non-wimpy way… (with Steve Paxton, 2013), Yvonne Rainer’s WAR (2013), and Spatial Confessions (for Tate Modern, 2014). Bojana has been part of several collective platforms (Performing Arts Forum, Saint-Erme since 2005; TkH/Walking Theory 2001–17) dedicated to critical and experimental self-organised practice and production that inform her research in social choreography, transindividuality, and antifascist solidarity.